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The film Amour (2012) features classical piano pieces performed by Alexandre Tharaud, rather than an original score. Notable works include compositions by Schubert, Beethoven, and Bach, which enhance the film's emotional depth. Michael Haneke is credited for curating these pieces, vital to the film's narrative and atmospheric impact.
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Here is a list of known music / songs used in Amour (2012, French/Austrian), along with composer credits and where possible links. It may not be exhaustive (i.e. some incidental / background cues may not be publicly documented).
The film Amour (2012) does not feature an original score in the conventional sense. Instead, it prominently uses existing classical piano pieces, primarily performed by the French pianist Alexandre Tharaud, who also appears in the film. The musical style is classical, focusing on works by Franz Schubert, Ludwig van Beethoven, and Johann Sebastian Bach. Notable licensed pieces include Schubert’s Impromptu Op. 90 No. 3, Beethoven’s Bagatelle Op. 126 No. 2, and Bach’s Ich ruf zu Dir, Herr Jesu Christ, BWV 639. Michael Haneke is credited as a composer on some platforms, likely for his selection and integration of these pieces into the film rather than composing original music.
Spotify: Soundtrack “Amour” – Album by Alexandre Tharaud [1] Apple Music Classical: Amour (Soundtrack) by Alexandre Tharaud [2] YouTube search queries for key tracks: – “Schubert Impromptu Op. 90 No. 3 Amour” – “Beethoven Bagatelle Op. 126 No. 2 Amour” – “Bach Ich ruf zu Dir, Herr Jesu Christ BWV 639 Amour”
Anne playing piano | Impromptu No. 3 en sol bémol majeur | Diegetic, reflects Anne’s past as a music teacher and her love for music. Its beauty contrasts with her deteriorating health. Georges recalling Anne | Impromptu No. 1 en ut mineur | Non-diegetic, used to evoke Georges’ memories and emotional state. Anne’s struggle | Bagatelle No. 2 en sol mineur | Non-diegetic, underscores the emotional weight of Anne’s illness and Georges’ care. Contemplative moments | Ich ruf zu Dir, Herr Jesu Christ, BWV 639 | Non-diegetic, adds a layer of solemnity and reflection to the film’s themes of life and death.
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